Artist Statement

My current body of work connects my interest in drawing and jewelry using wire as I would use charcoal. The work consists of a series of wire bracelets and brooches that reflect an exploration of line, form, volume, movement, structure, geometry, space, light and shadow.

Two of the primary influences for this body of work were The Modern or New Jewelry Movement, which began in Europe in 1970, and the Constructivist Movement, which took place during the early part of the 20th century, primarily in Russia. The influence of these two movements, coupled with my interest in architectural structures, form the basis for this body of work.

Although The Russian Constructivist Movement was very broad and encompassed many different mediums, it is their methods of construction that I find most engaging. They extended the formal language of abstract design into practical design. They introduced different materials such as construction lumber and plastics, to explore new approaches to space and movement.

I am also greatly influenced by the Modem or New Jewelry movement, which took place in Europe from 1970 through the 80's. Fundamental to this movement was the concept of pushing the boundaries that traditionally defined jewelry. My work is very much influenced by the minimalist European approach to design, which is expressed by an accent on formal elements, and integration
of non-precious materials. I strip the designs to their essentials, while sometimes adding a touch of playfulness. I appreciate their spontaneity and direct response to the materials.

It is also important to me that my jewelry exists off the body as well as on the body. When these objects are not being worn they are hung on the wall as a three-dimensional drawing floating in space. Optimally, light is projected from above the pieces to create shadows; this interaction with the wall adds a further dimension to the work.

The size of the pieces are perceived differently on the body than on the wall. On the wall they appear small within the architecture. On the body they appear large and quite dramatic as a result. The pieces are transformed depending on their context. The wearer is reminded of the piece with every movement of their arm and body; it takes commitment to wear these pieces. This duality of function/positioning and the scale of the forms is meant to challenge western traditions of jewelry.

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